The Picton Art Prize Catalogue featuring ‘Celestial’ cast by London Bronze Casting
Catalogue designed by Everything In Between (www.e-i-b.com)
Photographs from The Picton Art Prize Unveiling, 27 April 2016 of ‘Celestial’, Patinated bronze, 250 X 200 X 120CM, 2016
Photos courtesy of Jasper Fry.
Cast at London Bronze Casting
I am currently featured in ‘STATE/f22’ Magazine Issue 21, which is available now at Mayor Gallery Cork Street, Jonathan Ross Gallery 286 Earls Court Road & ART 16 at Kensington Olympia fair as well as numerous other galleries.
Great being included in Londonist’s recent reviews of February’s most talked about exhibitions:
‘Secret Agents And Protests: February’s Most Talked About Art Exhibitions’,
Alex J Wood: Lift Off at New Art Projects
The first exhibition we’ve seen at this space features Alex Wood’s sculptures based around flight. There’s some fun and surreal works as a space shuttle is weighed down by a bronze parachute and a zeppelin hangs off Big Ben. Until 19 March, free.
Tabish Khan at the Londonist, (http://londonist.com/2016/02/february-s-most-talked-about-art-exhibitions)
The Tower, Patinated bronze, 42H X 18D X 18W CM, 2015
Patinated verdigris bronze
37W X 24H X 25D CM
2015, Private collection.
Artists Paul Coombs, Bex Massey and Alex Wood come together in Necole Schmitz’s first curatorial project, Home Bodies. The exhibition reflects on the impact domestic spaces have on memory, the way one exists in these spaces as well as the impact future events have on the importance placed on these recollections. As Freud states in The Uncanny:
Our childhood memories show us our earliest years not as they were but as they appeared at the later periods when the memories were aroused…And a number of motives, with no concern for historical accuracy, had a part in forming them, as well as in the selection of the memories themselves. (p. 322)
The artists will take this presupposition as a starting point to create works specific to the iconic Balfron Tower, examining the truth of Freud’s conjecture by contemplating how memories are formed and whether these personal mythologies and stories are underpinned by images of the domestic spaces in which they occurred. The artists will also take into consideration Balfron’s history as part of the high rise solution to the post-war housing crisis in light of its recent transformation from a private to a public cultural space.
‘ET Phone Home’
Bronze and silvered card
Private collection USA
Chinese Views, is a limited edition artist book published in 2015 with hand drawn illustrations.
Slick (Definition: Smooth, Glossy & Slippery like Ice).
A 15kg bronze, polished complete with the ball bearing sized droplets from when it was poured represents the Oil we all use… Its appearance is suggestive of an oil slick on water, yet juxtaposed against the bronze is a low-fi model I created of the monumental Titanic. Perched precariously on top the card model crashes into the slick bronze slab creating a contrast of materials, suggesting something may happen at any moment…
Wind Farm Model – Creation in Progress
This involves an unsteady floor and kinetic elements including fans.